Long before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I’d Fight the World, Peter La Chapelle traces the deep bonds between country music and politics, from the nineteenth-century rise of fiddler-politicians to more recent figures like Pappy O’Daniel, Roy Acuff, and Rob Quist. Long before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I’d Fight the World, Peter La Chapelle traces the deep bonds between country music and politics, from the nineteenth-century rise of fiddler-politicians to more recent figures like Pappy O’Daniel, Roy Acuff, and Rob Quist. These performers and politicians both rode and resisted cultural waves: some advocated for the poor and dispossessed, and others voiced religious and racial anger, but they all walked the line between exploiting their celebrity and righteously taking on the world. La Chapelle vividly shows how country music campaigners have profoundly influenced the American political landscape.
I'd Fight the World: A Political History of Old-Time, Hillbilly, and Country Music
Long before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I’d Fight the World, Peter La Chapelle traces the deep bonds between country music and politics, from the nineteenth-century rise of fiddler-politicians to more recent figures like Pappy O’Daniel, Roy Acuff, and Rob Quist. Long before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I’d Fight the World, Peter La Chapelle traces the deep bonds between country music and politics, from the nineteenth-century rise of fiddler-politicians to more recent figures like Pappy O’Daniel, Roy Acuff, and Rob Quist. These performers and politicians both rode and resisted cultural waves: some advocated for the poor and dispossessed, and others voiced religious and racial anger, but they all walked the line between exploiting their celebrity and righteously taking on the world. La Chapelle vividly shows how country music campaigners have profoundly influenced the American political landscape.
Compare
King Haddock –
I've been trying to decide whether I put this as a 3 or a 4. This book is highly informative and thoughtfully outlines the progression of country music's place in politics from the 1800s to the present day, and for that it deserves a ton of stars. For me personally, interest-wise, it ended up being about a 3 or 3.5, depending on the chapter. I've been trying to decide whether I put this as a 3 or a 4. This book is highly informative and thoughtfully outlines the progression of country music's place in politics from the 1800s to the present day, and for that it deserves a ton of stars. For me personally, interest-wise, it ended up being about a 3 or 3.5, depending on the chapter.
Josh –
Jason Mellard –
Michael Sparrow –
Mina Goldman –
Liam Flannigan –
Tuck –
Joseph –
Shoshana Schwartz –
Sarah –
Darren White –
Peter –
Brian –
Gregory Jones –
GB –
Remy Gonzalez-Berg –
Christopher Keller –
Jackson M. –
Drosswilk –
Ben Lorton –
Kelly Swaim –
Alexander –
Brent –
Antonia –
Katie –
Stacey –
Benjamin Fasching-Gray –
G –
Sarah –
graceofgod –
Antony –
Eddie Huffman –
Leslie –
Jesse Horn –
Dylan Flesch –
Stacey –
Crystal –
L –
Colleen –
Richard –
Jennifer –
Daniel –
Alessandra –
David –
Super –
Joyce –
Michael Hathaway –
Brice Johnson –
Britt Aamodt –